Dream Police (Rock & Pop/C/Cheap Trick)
"This is one of the best midi versions of a song I've heard--esp. the guitars. This song actually lends itself well to midi format because of all the synth stuff."

Johanna (Act II) (Broadway Musical/S/Sweeney Todd)
"This midi is very good, except for the Beggar Woman sections, which feel like they are wildly off-tempo and way too fast. This is a common mistake when musicians translates the tricky sixteenth and thirty-second note rhythms that Sondheim is fond of. They tend to be overplayed and end up being pla..."

Come on Everybody (Rock & Pop/E/Eddie Cochran)
"The strength of this song is the catchy rymthm and this MIDI has got it just right. Even on very low fi speakers it comes across as lively, energetic and tuneful. Whoever coded this is to be congratulated."

I'll Cover You (Reprise) (Broadway Musical/R/Rent)
"First of all, if you transcribed this song you did a really good job. However, the Seasons of Love intro does not go on for that LONG. Second, the parts begin to clash. It needs a lot of refining. The melody does not line up with the Grand. Neither does the Honky tonk. None of it lines up very well...."

Oldest Established Craps Game in New York, The (Broadway Musical/G/Guys & Dolls)
"NEEDS PIANO PART!!!!!!"