Clint Eastwood (Rock & Pop/G/Gorillaz)
"finally, a MIDI that bothered to include parts for the bridges"

She is My Sin (Rock & Pop/N/Nightwish)
"Well, it's very good, a great thank to you waho."

King of Broadway, The (Broadway Musical/P/Producers, The)
"Best when played through your midi keyboard not through soundcard."

Johanna (Act II) (Broadway Musical/S/Sweeney Todd)
"This midi is very good, except for the Beggar Woman sections, which feel like they are wildly off-tempo and way too fast. This is a common mistake when musicians translates the tricky sixteenth and thirty-second note rhythms that Sondheim is fond of. They tend to be overplayed and end up being pla..."

All Girl Band (Broadway Musical/A/A... My Name is Alice)
"The instrumentals for the background tracks are pretty good, and the melodie played doesn't overpower the singer. But the spoken section at the end needs more time."